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"What have I said?" she asks, half plaintively. "You laugh, yet I did not mean to be funny. Tell me what I said.",

She beckons to the dogs, and they, coming up to her, follow her out of the room and along the corridor outside their soft velvet paws making no sound upon the polished floor. She has brought with her no lamp. Just now, indeed, it would be useless, such "a wide and tender light," does heaven's lamp fling upon floor and ceiling, chamber and corridor.,

The place she has chosen as her mirror is a still pool fringed with drooping grasses and trailing ferns that make yet more dark the sanded floor of the stream.,

The hound stalks on before them; the peacocks wake up and rend the air with a discordant scream. Lady Lilias, coming to the sundial, leans her arm upon it, and puts her head in the right position. A snail slowly travelling across a broad ivy-leaf attracts her attention; she lifts it slowly, leaf and all, and directs attention to the silvery trail it has left behind it.

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It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair.,

She is country bred, and clothed in country garments, yet her beauty is too great to be deniable. She is not "divinely tall," but rather of medium height, with an oval face, and eyes of "heaven's own blue." Their color changes too, and deepens, and darkens, and grows black and purple, as doth the dome above us. Her mouth is large, but gracious, and full of laughter mixed with truth and firmness. There is no feature that can so truly express character as the mouth. The eyes can shift and change, but the mouth retains its expression always.,

"Not even to you," very gravely. There is reproof in her tone. They are standing somewhat apart, and her eyes have been turned from him. Now, as she says this, she changes her position slightly, and looks at him very earnestly. From the distant ballroom the sound of the dying music comes sadly, sweetly; a weeping fountain in a corner mourns bitterly, as it seems to Mona, tear by tear, perhaps for some lost nymph.,

"For the future your services will not be required here. Your new master, Mr. Paul Rodney, whom you have chosen to obey in preference to those in whose employ you have been, will give you your commands from this day. Go to him, and after this try to be faithful."